Publishers reject cold submissions

The WSJ reports:

In 1991, a book editor at Random House pulled from the heaps of unsolicited manuscripts a novel about a murder that roils a Baltimore suburb. Written by a first-time author and mother named Mary Cahill, "Carpool" was published to fanfare. Ms. Cahill was interviewed on the "Today" show. "Carpool" was a best seller.

That was the last time Random House, the largest publisher in the U.S., remembers publishing anything found in a slush pile. Today, Random House and most of its major counterparts refuse to accept unsolicited material. ...

It used to be that you could bang out a screenplay on your typewriter, then mail it in to a studio with a self-addressed stamped envelope and a prayer. Studios already were reluctant to read because of plagiarism concerns, but they became even more skittish in 1990 when humorist Art Buchwald sued Paramount, alleging that the studio stole an idea from him and turned it into the Eddie Murphy vehicle, "Coming to America." (Mr. Buchwald received an undisclosed settlement from Paramount.)

She makes it sound as if Paramount got burned by a chance similarity to an unsolicited manuscript. In fact, Paramount had a signed contract with Buchwald, made the movie with his plot, and cheated him out of his share of the $288M in earnings.