Sunday, November 23, 2014

New movie distorts Turing's life and work

Computer scientist Alan Turing has become a gay martyr, and his story is told in the new movie, The Imitation Game. Expect everyone to praise this movie, but it is horrible. A London newspaper reviews:
The Imitation Game jumps around three time periods – Turing’s schooldays in 1928, his cryptographic work at Bletchley Park from 1939-45, and his arrest for gross indecency in Manchester in 1952. It isn’t accurate about any of them, ...

The Imitation Game puts John Cairncross, a Soviet spy and possible “Fifth Man” of the Cambridge spy ring, on Turing’s cryptography team. ... In the film, Turing works out that Cairncross is a spy; but Cairncross threatens to expose his sexuality. “If you tell him my secret, I’ll tell him yours,” he says.

The blackmail works. Turing covers up for the spy, for a while at least. This is wholly imaginary and deeply offensive – for concealing a spy would have been an extremely serious matter. Were the makers of The Imitation Game intending to accuse Alan Turing, one of Britain’s greatest war heroes, of cowardice and treason? Creative licence is one thing, but slandering a great man’s reputation – while buying into the nasty 1950s prejudice that gay men automatically constituted a security risk – is quite another.
Turing was a mathematical genius who figured out how to apply Goedel's work to computability. Since 1966, a Turing Award has been the top prize in computer science.

His arrest occurred when he tried to frame a teenaged boy for theft, and the police discovered that Turing had been committing statutory rape of the boy. Two years later he died of cyanide poisoning that was presumed to be suicide from eating half a poison apple, altho there is considerable doubt about that.

But Turing was never a traitor. Homosexuals were long denied security clearances, because some famous spies were, such as at least a couple of those Cambridge Five.

This movie is being celebrated by the gay press.
it is elegantly made, beautifully filmed, and loyal to its source material (in this case, Andrew Hodges’s excellent 1983 biography, Alan Turing: The Enigma). But what brings the film to life is Cumberbatch’s immensely engaging performance as Turing, a misfit at ease with his homosexuality (he named his computer Christopher after an unrequited schoolboy crush), but utterly at odds with the world around him. To use David Leavitt’s apt comparison, Turing was a kind of real-life Mr. Spock, insensible to human discourse, and wholly unable to “read between the lines.”

Turing was 41 years old when he was found dead by his housekeeper, a half-eaten apple by his bedside. The apple — which urban legend suggests was the inspiration for the logo for Apple computers — is commonly believed to have been laced with cyanide, though this theory has been challenged by some biographers who claim his death was an accident. ...

Cumberbatch, who has clearly done his research, thinks the persecution of homosexuals in the U.K. has its roots in the Cambridge Five, a group of men, some of them gay, at the highest echelons of society, who had been recruited to spy for Moscow. “It was our form of McCarthyism,” he says. “If you were intellectual, if you were gay, if you had any kind of liberal ideas, you were immediately a threat to national security.” ...

For all that The Imitation Game is a period drama, Cumberbatch is anxious that Turing’s story be kept alive as a parable on the price of intolerance. “It’s not a history lesson — it’s a warning that this could very easily happen again,” he says. ... You have to have a point where you go, ‘Well, religious fundamentalism is wrong.’ ”
Apple (Computer) Inc. is one of the gayest companies in the USA, outside the fashion industry. Its CEO is gay, and its marketing is based largely on a gay style to its products. I did not know that gays see the company icon as a symbolic suicidal gay poison apple.

Hollywood always portrays mathematicians, as mentally ill misfits. Examples are Good Will Hunting, Pi, Proof, and A Beautiful Mind. This is another gross distortion.

The actor complains that gay were considered a national security threat, but he has falsely added to that stereotype by portraying Turing as someone whose homosexuality led to him betraying his country.

This movie is offensive on several levels. Someone who used to be praised for his ideas, theorems, and national service is now mocked for an assortment of alleged personality and character faults.

This movie is not going to convince people of the evils of intolerance. The more likely conclusion is that he would have led a happy productive life if he had married his fiancee and avoided homosexuals.

Update: The NY Times A.O. Scott review warns:
“The Imitation Game” is rated PG-13 (Parents strongly cautioned). Illicit sex, cataclysmic violence and advanced math, most of it mentioned rather than shown.
So I guess the three most offensive things in the movies are sex, violence, and math. The reviews also says that the film places Turing "somewhere on the autism spectrum". That is another offensive stereotype. There is no mention of the gross inaccuracies.

Update: The screenwriter replies:
When you use the language of 'fact checking' to talk about a film, I think you're sort of fundamentally misunderstanding how art works. You don't fact check Monet's 'Water Lilies'. That's not what water lilies look like, that's what the sensation of experiencing water lilies feel like. That's the goal of the piece.
By all account, the movie does not describe the character of Turing well at all.

1 comment:

toujoursdan said...

Turing had an affair with a 19 year old man, not a "boy". This man was older than the heterosexual age of consent at the time (which was 16), and above the age when the UK was conscripting men into the military (18). He was old enough to drink, get married and buy a house and be executed for a crime.

Using the term "boy" is needlessly inflammatory as it makes Turing look like a paedophile.